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Thus adjured by his father the elocutionist began in a loud dramatic voice:,

“Miss Gordon here, made me a harnsome lace yoke fer an underwaist, an’ give it to me fer my birthday,” volunteered Mrs. Wopp.,

“Can you drive?” he asked, anxiously, as he unhitched the horse. He noticed with a second sinking feeling that Jimmy’s face twitched with pain, that his right arm hung limp.,

“Bctcher took orl mornin’ to tittyvate them there carrots,” offered Moses, edging up to Maria with conciliatory glances, and jostling St. Elmo who stood waiting to contribute his donation. The little fellow, whose nose was still “bluggy” from tripping over the saw-horse, dropped his lonely long scraggy carrot on the floor, and in stooping to pick it up struck his head against the handle of a hay-fork and emitted a howl that might have been heard by the heathen themselves in Africa. Betty comforted him with a gum-drop that had lain neglected in her pocket for several weeks, and the cries ceased.

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What delightfully busy and secret evenings Betty spent in the kitchen with Mrs. Wopp helping and expostulating! What dismal sighs from Moses who, like the Marchioness, cooled his eye at the keyhole! His sighs penetrated through the said keyhole and almost softened the obdurate Betty; but, alas, his eavesdropping ended only in whetting the edge of his curiosity! What yelps from Jethro when Moses trod on his foot in headlong flight from the door as his mother approached! What copious notes written by Ebenezer Wopp on the whispering and conspiracies in the kitchen! And then again what sweeping up and burning of cardboard, what hunting through old newspapers and magazines, and what clicking of scissors while a small pair of jaws worked simultaneously! What gorgeous hues from the paint-box as Betty mixed her colors and painted innumerable pictures cut from the magazines! Animals, birds, flowers! Gay as color could make them! A veritable garden and zoo turned loose in the kitchen!,

Moses regretted a hundred times his refusal to grant Betty’s request for two bits. He had since offered it and had tried to thrust it on her, but injured pride could not thus be appeased.,

“Any one else?”,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.